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The Singapore Art Museum (SAM) reveala a list of 62 artists and art collectives and selected artwork highlights for the Singapore Biennale 2016 >> Read more

The Singapore Art Museum (SAM) today unveiled the title for the fifth edition of the Singapore Biennale - An Atlas of Mirrors. >> Read more

SINGAPORE ART MUSEUM ANNOUNCES SINGAPORE BIENNALE 2019 ARTIST AND ARTWORK HIGHLIGHTS >> Read more

ShanghART Singapore is pleased to present a solo exhibition “TIMORIBUS” by renowned performance artist Melati Suryodarmo. It is an inaugural comprehensive exhibition in Singapore, will showcase Melati’s multidisciplinary approach to art, consisting of a variety of works ranging from photography, videography, to what she is best known for – durational performance. The exhibition opens on […] >> Read more

Dempsey Hill 15 Dempsey Road, #01-08, Singapore 249675 10 June–20 August, 2017 Open daily, 11am–8pm Gillman Barracks 9 Lock Road, #03-22, Singapore 108937 10 June–30 September, 2017 Wed–Sat, 11am–7pm; Sun, noon–6pm Pearl Lam Galleries is pleased to announce its second dual-space exhibition in Singapore, Contestation: Mass Openness. Featuring Chinese artist Gao Weigang (b. 1976) and Singaporean […] >> Read more

The sound and fury of Singapore Art Week has long since come and gone, its associated fair(s) evaporating till next year. In its wake, however, a fresh crop of exhibitions have sprung forth—here follows, in no particular order, some particularly noteworthy examples. >> Read more

“You have to systematically create confusion, it sets creativity free. Everything that is contradictory creates life.”- Dali Jointly holding an impressive list of 18 international prestigious prizes, including the Hugo Boss Prize, the Enel Contemporary Award Prize, the Venice Biennale Golden Lion Award, and the Benesse Prize amongst many others, internationally renowned and accomplished artists Carsten Höller, Tobias […] >> Read more

The 'Pygmalion effect' is the phenomenon in which higher expectations lead to an increase in performance. Its inverse is the 'Golem effect', by which low expectations lead to a decrease in performance. Both effects are forms of a self-fulfilling prophecy; both observable effects at play in a world divided by the privilege of circumstance. Using these themes, Seton replaces components of antique and modern bentwood chairs with his familiar medium of marble and digitally printed plastic proxies. The result is a series of hybrids in which the mass-produced melds with the hand made. — Excerpt from exhibition essay by Chloé Wolifson >> Read more

We are pleased to announce the exhibition and programs of Singapore Art Archive Project at SA SA BASSAC: Koh Nguang How and Shui Tit Sing with curators Vera Mey and Mélanie Mermod >> Read more

The first edition of the Yinchuan Biennale which will open on September 9, 2016 with the participation of 74 artists from 33 countries including China and will culminate on December 18, 2016. >> Read more